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In a musical style strongly influenced by (and occasionally parodying) American popular music, the subtitle “Baroque” may seem a puzzle at first. It is also the key to Pann’s approach in composing for multiple wind soloists and ensemble. With Bach’s Brandenburgs in the rear-view mirror, Pann has created a glorious hybrid of inspirations with intricate counterpoint, cadenzas, beautiful slow textures, and wild rides, creating a 16-minute, fast-slow-fast concerto grosso.
Flute 1, Flute 2 (Piccolo), Oboe 1, Oboe 2, Clarinet 1 in Bb, Clarinet 2 in Bb, Bass Clarinet in Bb (with C extension), Bassoon 1, Bassoon 2, Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb, Trumpet 1 in Bb, Trumpet 2 in Bb, Horn 1 in F, Horn 2 in F, Horn 3 in F, Horn 4 in F, Trombone 1, Trombone 2, Bass Trombone, String Bass, Percussion 1, Percussion 2, Timpani, Keyboard |
